Even as the tropes and techniques of вЂњThe Blair Witch ProjectвЂќ (whose creators, Daniel Myrick and Eduardo Sanchez, have executive-producer credit here) have become routine fodder for parody, Wingard and Barrett largely eschew any вЂњScream 2вЂќ-style bracketing of the original filmвЂ™s lore in a more ironically knowing universe. A whole lot more than $60,000, the famously minuscule cost of the 1999 sleeper, has been spent on making вЂњBlair WitchвЂќ look and feel as scrappily homemade as possible - faking it so real, so to speak - albeit with a little 21st-century help from drones, personal camera technology and a cracking, crunching studio sound mix that may just be the true star of the film.ДЄny viewers waiting for an ironic subversion of those basics, however, may be frustrated.

A significantly more accomplished and entertaining sequel than 2000вЂ™s woefulВ cash-in вЂњBook of Shadows: Blair Witch 2,вЂќ вЂњBlair WitchвЂќ nonetheless reps something of a missed opportunity from Wingard and writer Simon Barrett, who so deftly and wittily updated 1980s horror form in their terrific, thumbscrew-tight features вЂњYouвЂ™re NextвЂќ and вЂњThe Guest.вЂќ The very title of the new film augurs a back-to-basics approach, significantly inflated budget notwithstanding, and it delivers basics in spades: a clammy-handed fear of the dark, ambiguously sinister pagan-style iconography, and so many thumpingly executed jump scares that even the characters call for a respite.

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